Bath Society of Artists : 121st Open Exhibition (BSA Members Only)

Ref 2505

By lawrence nash

Acrylic on Canvas and Acrylic Paint pen on Paper

h: 51 w: 76 d: 4 (cms).

£1900

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Ref 2505

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Ref 2510

By lawrence nash

Acrylic on board, Acrylic paint pen on paper

h: 77 w: 57 d: 1 (cms).

£2100

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Ref 2510

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Windy Day

By geoff shillito

Oil on Canvas

h: 100 w: 80 d: 3 (cms).

As 'Windy Day' aptly demonstrates, there have gradually developed, over the years, various compositional elements such as the close-up, dynamic angles, tight cropping and conflicts of scale which, either by design or accident, have crept into my paintings.

£4000

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Windy Day

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Early Morning

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Cabinet II

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Yellow

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Steps XIII

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Entangled

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Arroyo

By Laura Howarth SWA SWA

oil and cold wax medium

h: 30 w: 34 d: 1 (cms).

Arroyo is inspired by experience in New Mexico - startling colour, ever present sun and simplicity of design

£625.00

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Arroyo

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Evening Blue

By Laura Howarth SWA SWA

oil and cold wax medium on board

h: 51 w: 51 d: 2 (cms).

Evening Blue is inspired by stillness on a tiny deserted cove at dusk

£850

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Evening Blue

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Everything is just a phase

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Pines

By julia manning SWLA

Wood and lino cuts

h: 39 w: 26 d: 1 (cms).

From a watercolour I did on a Society of Wildlife Artists ( I am a member) residency on a Rewilded Estate in Norfolk

£430

£350 (Unframed)

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Pines

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THE BANK

By julia manning SWLA

WOOD AND LINO cuts

h: 43 w: 40 d: 1 (cms).

From a sketch book drawing of a hedgerow bank on Anglesea

£485

£395 (Unframed)

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THE BANK

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Low Cloud

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White Lighthouse

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East Kennet Cottage Two

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The avenue of stones, Avebury

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Chloe the Piano - Bike Girl

By alan overton

Acrylic

h: 20 w: 20 d: 3 (cms).

Acrylic on canvas

£250.00

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Chloe the Piano - Bike Girl

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Cardoons

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Winter Moon

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Walking in the Rain

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Tobermory Lighthouse

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The Rainbow

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Portishead

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Acceptance

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Thirle Stone l

By maxine foster

Ink and monoprint collage

h: 100 w: 72 d: 1 (cms).

The Thirle and Stone series are distinctive artworks created during a ten-day artist residency in June 2025 at The Underground Stream Gallery near Kingsbridge, South Devon. This residency gave Foster the opportunity to closely explore Thurlestone Rock at low tide. The rock often appears in her coastal work, both abstractly and semi-realistically. It stands as a strong, imposing beacon, symbolising courage and strength amid turbulent times. During her stay, she studied the rock in detail, including making an eleven-meter frottage drawing of its surface. Throughout the residency, she produced two atmospheric series on paper, layering oil-based printmaking inks with monoprint collage. These works reflect the diverse geological features of the natural arch and surrounding rocks while also addressing concerns about erosion and climate change impacting this monumental formation.

£950

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Thirle Stone l

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Relic

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Cam Brook Valley

By jo freeman

Paper and Dye

h: 42 w: 44 d: 1 (cms).

The images I produce are a direct, emotional response to the landscapes I draw, they are concerned with the refinement of image and colour and the creation of space. I work form charcoal sketches, using an unusual layered mono print method that results in a saturation of colour. This work uses textile dyes and hand made cotton paper and depicts the Cam Brook Valley, situated South of Bath.

£370

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Cam Brook Valley

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The Muse

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Still Waiting

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Weirdo

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Rhododendron study I

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Rhododendron study II

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Link

By Patricia Volk RWA FRSS RWA FRSS

Painted Fired Clay

h: 42 w: 56 d: 35 (cms).

£4500.00

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Link

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Portal

By Patricia Volk RWA FRSS RWA FRSS

Painted Fired Clay

h: 66 w: 53 d: 11 (cms).

£1250.00

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Portal

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Happy Birthday

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Further

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Thames Panorama 2

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Routes of Disconsent

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Holloway

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The Shelter

By aga kubish ARE

Linocut Print

h: 160 w: 110 d: 5 (cms).

The Shelter is a monumental linocut print measuring 160 × 110 cm, created as a single-layer, one-colour image and printed entirely by hand without the use of a press. The work draws on dense, entangled woodland forms, exploring shelter as both a physical place and an emotional state. Its scale invites the viewer to move slowly through the image, discovering the intricate network of branches, roots and hidden spaces within the composition. Each impression is hand-printed, making subtle variations part of the process and character of the work. Linocut, 160 × 110 cm One layer, one colour Hand-printed without a press Limited edition of 30

£1650

£1200 (Unframed)

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The Shelter

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Cool Cats

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A Drawing of the Garden

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Waiting

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Oak Dryad

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Hope I

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A Spray Of Rooks

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Watch Cottage, October at Penwith

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??Varmahlíð?

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WINGED MINOTAUR XXVI (26)

By andrew stevens

MIXED MEDIA-OLD TOYS; WOOD OFFCUTS CAR AND BICYCLE GEARS; METAL AND PLASTIC BITS WITH BRONZE PATINA

h: 80 w: 80 d: 30 (cms).

ONE OF A SERIES OF 'WINGED MINOTAUR ' SCULPTURES FIRST DEVISED IN 2022 AND WINNER OF PRIZES AT 2023 LONDON BIENNALE; 12024 BOOMER ART PRIZE, LONDON AND 2025 RBSA PRIZE, BIRMINGHAM AS WELL AS APPEARING IN PUBLISHED ARTICLES AND BOOKS (INCLUDING 'ARTIST OF THE YEAR' PUBLISHED IN US0 AND ARTILES IN MODERN RENAISSANCE MAGAZUNE

£1750

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WINGED MINOTAUR XXVI (26)

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Dad

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Still Life with Coffee

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Tea Time Rituals

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I Can Tell You...Now

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Dining Room, Chateau de St Paterne

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We Have Moved

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Juno

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Winged Homunculi

By rebecca lisle

Paper, board, wire, paint, string, wool and thread.

h: 40 w: 40 d: 5 (cms).

Haunted by the vanishing of so many insect species here in England, I began creating collections of the ones that no longer hum in our hedgerows — or perhaps never did. These are imaginary, invented specimens. Here they are arranged in a faux Victorian display case — ordered, labelled, reverent — echoing the taxonomies and curiosities of 19th-century naturalists. Yet where they once sought to catalogue the living world, I assemble elegies. Each fragile body is a small act of remembrance, a cabinet of ghosts pinned in stillness, asking what it means to preserve what we have already allowed to slip away.

£650

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Winged Homunculi

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Metamorphosis: Emergence of Form

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The sedums meet Victor Pasmore

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Turquoise II

By susan gradwell

Etching, aquatint, paint

h: 20 w: 20 d: 1 (cms).

This etching is one of a series inspired by a re-interpretation of discarded packaging. The sculptural form created from the cut and shredded pieces is the basis for the work. Elements of hand painting are part of the process.

£375

£315 (Unframed)

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Turquoise II

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Dresser at Hill Farm

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Swan Song (after The Rape of The Sabine Women by Nicholas Poussin)

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Cold Landscape

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Captive

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‘ Three Late Sunflower Studies’

By howard jeffs

Monotype Print ( unique print)

h: 38 w: 86 d: 3 (cms).

Painterly monotype print

£1200

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‘ Three Late Sunflower Studies’

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Blue Landscape

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In The Woods

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The Observed

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Memory of a doorway

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Grey Day, Brown Fields and Sheep

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Circles In The Sand

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Icon 3

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Sanctuary

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Persimmons

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Morgan’s Hill View

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Waiting

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Clapham Junction, Towards The City

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Peppers

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Flamborough III

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La Cadireta (The Little Chair)

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Dreamtime

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Sidelong

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Dominion

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Round up

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Trace #1

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Hare Lane Pottery

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Walberswick

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Riders of the Purple Sage

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Les Fleurs

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Oak in Summer

By christine howes

Linocut and Lino Etching

h: 41 w: 32 d: 1 (cms).

This print has been created with the use of caustic soda etching, as seen on the tree and in the foreground leaves. It gives a mottled effect from the Lino block. The Lino was also cut in the traditional way and printed in 5 colours.

£540.00

£370.00 (Unframed)

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Oak in Summer

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Horst

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Harpies

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'Higher and higher stiil.....'

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Leaping Winged Horse

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Borderland

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Bath Allotments

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Brigid

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21 Hairpins - Alpe d'Huez 2026

By iain cotton

Hopton Wood Stone and enamel paint

h: 35 w: 25 d: 5 (cms).

GPS Strava file of my cycling climb of Alpe d'Huez with the human rights charity Amos Trust in 2026, carved as an incised line in stone.

£600

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21 Hairpins - Alpe d'Huez 2026

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Market Day

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